Archive for the ‘Tutorials’ Category

14
Jul

CARVING EYES

   Posted by: woodbeecarver

Carving eyes

Perhaps one of the most challenging processes of carving the human face is the carving of eyes. The secret is to PRACTICE carving eyes over and over again to find the method that works best. Read the rest of this entry »

12
Jul

CARVING AN EAR

   Posted by: woodbeecarver

Carving an ear

Carving an ear in the Whittle-Carving style of carving only with a knife is presented here using notch cuts and a three cut triangular cut procedure.  Such cuts are ways to open up an area of wood for additional shaping and refining with detail carving. Read the rest of this entry »

1
Jul

SADDLE TRAMPS AND BUCKAROOS

   Posted by: woodbeecarver

BuckaroosBuckaroosBuckaroosBuckaroos

Cowboys have always been heroes in the romantic nostalgia of Western lore. In the classic ballad, “The Streets of Laredo,” is the line that says, “I see by your outfit that you are a cowboy.”   It is the outfit that a cowboy wore that made him a “dude” or a “gun fighter” or a “saddle tramp” or a “buckaroo” or a “cowpoke” or quite simply a “cowboy. Read the rest of this entry »

28
Jun

FARMER

   Posted by: woodbeecarver

FarmerFarmerFarmerFarmer

The Farmer was carved using a six inch tall by an inch and half square block of basswood in the Whittle-Carving Style of carving only with a knife.  Carving from a block of wood is much different than carving from a rough out or a sawed out blank.  The biggest difference is that it sets free the creative spirit to develop the overall design while shaping the block of wood into the basic form of the subject being carved. Read the rest of this entry »

29
May

STUDY OF PAINTED GO BY’S

   Posted by: woodbeecarver

WizardWizardWizardWizardWizardWizard

Here are some of the painted figures who were subjects in previous posting on the Study of Go By’s.  A splash of color gives an added dimension to a carving.  The colors invite a further investigation of each carving to discover the subtle details that add a sense of movement, a telltale detail of added interest as well as character in facial features.  Allow each photograph to be a lesson in observation to study the ebb and flow of the story being told by each carving.  (Click on each photo to enlarge and then use the back arrow to return to main page) Read the rest of this entry »

6
May

TIP FOR RESAPING THE TIP OF CARVING BLADE

   Posted by: woodbeecarver

Broken Tip

Breaking the tip on a carving knife is inevitable.  It happens because the tip is the thinnest and narrowest part of the blade and takes the most stress and pressure when it is used for making entry stop cuts and for carving in a circular motion.  It can be slowed down by always remembering to begin the slicing action before twisting the point of the blade to make a circular cut. If the tip bends over or breaks do not panic or blame the knife maker.  Simply follow the tip to reshaping the tip of a carving knife described below with a photo tutorial for a cutting edge that curves up at tip. Read the rest of this entry »

1
May

STUDY using Go-Bys ~ 3

   Posted by: woodbeecarver

Face Go ByFace Go ByFace Go ByStudy Go ByStudy Go ByStudy Go By

A Go By Study of faces can help any carver to “see” and imagine what is in a face in order to carve faces in wood.  The first photograph above shows a head carved to basic form.  The middle photograph shows descriptions of the major cuts at the landmarks of the face at the eye, the juncture of the nostril, smile line and upper dental curve and the mouth mound.  These cuts make good foundations for carving in the details of the eyes, mouth, teeth, nose and ears as seen in the finished carved head and face in the third photograph.  The Second row of photographs are of three views comparing the two head. Read the rest of this entry »

1
May

STUDY using Go-Bys ~ 2

   Posted by: woodbeecarver

Go By StudyGo By StudyGo By Study

In the previous posting on Go By Study the emphasis was placed upon being able to “see” a carving project in one’s imagination, in a block of wood and while carving the project to its basic form. The series of four photographs above shows examples of the progressive stages in carving a hillbilly carrying a jug of corn squeezings.  The figure on the left shows the hat, head and chest carved to basic form with the remaining portion of the block marked with guidelines.  The center figure is carved to basic form while the figure on the right is a finished figure.  The four views provide a visual tutorial of the observation of comparison for a Go By lesson. Read the rest of this entry »